Scale guide
E Minor Blues
In one sentence: E minor pentatonic with Bb, a passing blue note between A and B.
RH ↑ blue numbersLH ↑ red numbers
Only Bb appears on a black key; the rest of the scale sits on white keys.
Formula and map
- Formula: 1-♭3-4-♭5-5-♭7.
- Notes: E-G-A-Bb-B-D.
- The minor pentatonic is E-G-A-B-D; Bb creates the rub between A and B.
E1G♭3A4Bb♭5B5D♭7
E-G-A-Bb-B-D: Bb connects A to B; keep it as a moving note.
Useful fingering
- Right hand up: 1-2-3-4-1-2-3. Down: 3-2-1-4-3-2-1.
- Left hand up: 5-4-3-2-1-3-2. Down: 2-3-1-2-3-4-5.
- Play A-Bb-B evenly and without pedal at first.
Do it, use it, understand it
- Do it: alternate A-Bb-B, then return from B to A without rushing.
- Use it: over E7-A7-B7, leave a one- or two-note answer after each rest.
- Understand it: Bb is ♭5; it tensions the path to B rather than replacing it.
- Listen: in B.B. King's “The Thrill Is Gone,” follow the shape of short phrases and their rests; do not assign the recording's key to this scale.
Listening and context
Minor-blues vocabulary travelled from singing and acoustic guitar to electric bands. Listen to B.B. King or Muddy Waters for phrasing and the blue note; they are style references, not pitch maps for E.
Common mistakes
- Do not confuse Bb with B: alternate the two keys before playing a phrase.
- As an initial practice, use Bb as a step toward A or B when closing a phrase.
- Do not try to fill the accompaniment with notes: a short phrase can already answer.
Checklist
- I can locate Bb between A and B.
- I keep the catalog fingering going up and down.
- I use A-Bb-B without stopping on Bb.
- I can create a phrase and an answer with rests.