Scale guide
Eb Minor Blues
In one sentence: Eb minor pentatonic with A natural, a passing blue note between Ab and Bb.
RH ↑ blue numbersLH ↑ red numbers
Altered notes in the octave: Eb, Gb, Ab, A, Bb, Db.
Formula and map
- Formula: 1-♭3-4-♭5-5-♭7.
- Notes: Eb-Gb-Ab-A-Bb-Db.
- The minor pentatonic is Eb-Gb-Ab-Bb-Db; A connects Ab to Bb.
Eb1Gb♭3Ab4A♭5Bb5Db♭7
Eb-Gb-Ab-A-Bb-Db: A is the chromatic bridge between Ab and Bb.
Useful fingering
- Right hand up: 2-3-4-1-2-3-4. Down: 4-3-2-1-4-3-2.
- Left hand up: 4-3-2-1-4-3-2. Down: 2-3-4-1-2-3-4.
- Play Ab-A-Bb with equal durations so you can distinguish the three keys before phrasing.
Do it, use it, understand it
- Do it: repeat Ab-A-Bb without stopping on A.
- Use it: over Eb7-Ab7-Bb7, leave a rest after every short answer.
- Understand it: A is ♭5 and is not part of the base minor pentatonic; it adds direction toward Bb.
- Listen: in B.B. King's “The Thrill Is Gone,” notice how a rest shapes an answer; listen for the gesture without assigning the track's key to Eb blues.
Listening and context
Minor-blues vocabulary travelled from singing and acoustic guitar to electric bands. Listen to B.B. King or Muddy Waters for phrasing and the blue note; they are style references, not pitch maps for Eb.
Common mistakes
- Do not confuse Ab, A, and Bb: name them while playing them slowly.
- As an initial practice, move A toward Eb, Ab, or Bb to hear the resolution.
- Do not repeat the same full ascent: trim it to a three-note cell.
Checklist
- I can distinguish Ab-A-Bb on the keyboard.
- I can play one octave in both hands without stopping.
- I move A to a neighboring note.
- I make a short answer after a rest.